The world premiere stage adaptation of the multi award-winning and best-selling children’s book The Boy at the Back of the Class, based on the novel by Onjali Q. Raúf, adapted by Nick Ahad and directed by Monique Touko, comes to The Lowry in March.
The Boy at the Back of the Class is a timely, humorous and heart-warming story about the power of kindness, engaging children and their families in discussions around refugee rights.
A Rose Theatre and Children’s Theatre Partnership Production, The Boy at the Back of the Class comes to The Lowry, Salford from Tuesday 26th to Saturday 30th March.
There used to be an empty chair at the back of the class, but now a new boy called Ahmet is sitting in it. He’s nine years old (just like me), but he’s very strange. He never talks and never smiles and doesn’t like sweets – not even lemon sherbets, which are my favourite!
After learning that he has fled his own war-torn country, Ahmet’s classmates have ‘The Greatest Idea in the World’ – a magnificent plan to reunite Ahmet with his family. An unexpected and often hilarious adventure follows, all topped off with a terrific twist.
Told from a child’s perspective, balancing heart and humour, The Boy at the Back of the Class highlights the power of friendship and kindness in a world that doesn’t always make sense and reminds us that everyone needs a place to call home.
The full cast includes Priya Davdra (Mrs Khan / Mum), Sasha Desouza-Willock (Alexa), Megan Grech (Ensemble/Understudy), Abdul-Malik Janneh (Michael), Petra Joan-Athene (Josie), Joe McNamara (Brendan), Gordon Millar (Tom), Farshid Rokey (Ahmet), Adam Seridji(Ensemble/Understudy) and Zoe Zak (Clarissa).
The creative team includes Monique Touko (Director), Lily Arnold (Set & Costume Designer), Ryan Day (Lighting Designer), Giles Thomas(Composer & Sound Designer), Kloé Dean (Movement Director), Sophie Parrott CDG (Casting Director), Maisie Carter (Fight Director) and Amy Crighton (Assistant Director).
Hedda Beeby, of Children’s Touring Partnership said: “If there is no theatre for younger audiences, there will be no theatre at all in years to come and it is vital to offer the opportunity to experience live performance from an early age. We are delighted to be working with the Rose Theatre to tell this life-affirming story. It’s about young people for young people.”
Winner of the Blue Peter Book Award 2019
Winner of the Waterstones Children’s Book Prize 2019